Understanding and Applying Filmic Saturation with Color Slicer in DaVinci Resolve 19

Learn Color Grading

Summary:

This video explains why standard saturation often ruins the "filmic look" and introduces DaVinci Resolve 19's new Color Slicer effect as a solution. The Color Slicer allows for controlled saturation adjustments without affecting brightness, unlike global saturation controls. Key controls for each color in the Color Slicer are Saturation, Density (brightness push down), Hue, and Center (refinement of selection). The workflow involves identifying the target color area, refining the selection using Hue and Center controls, then adjusting saturation and density for a dense, filmic look. Applying this method helps achieve a more cinematic feel, avoiding the harsh, bright appearance of standard saturation boosts, especially important for maintaining image integrity and avoiding artifacts like contrasty edges.

DaVinci Resolve 19 interface showing the Color Slicer controls.
DaVinci Resolve 19 interface showing the Color Slicer controls. [ 00:03:30 ]

The Problem with Standard Saturation [0:01:51]

Standard saturation controls can ruin the "filmic look" because they increase both color saturation and brightness.

Introducing DaVinci Resolve 19's Color Slicer [0:00:47]

The Color Slicer is a powerful new tool in DaVinci Resolve 19 that allows for more controlled and filmic saturation adjustments.

Understanding Color Slicer Controls [0:03:05]

Each color in the Color Slicer has four main controls, which can be thought of as a simplified version of a qualifier effect.

5-Step Filmic Saturation Workflow with Color Slicer [0:09:14]

This workflow ensures precise and filmic saturation adjustments.

Practical Application Examples [0:05:42]