The filmmaker documents his challenging seven-month film project in Lagos, Nigeria, centered on a person with a powerful story of trauma and addiction. [Image 11]
After completing the film, the subject threatened legal action if their name or image was published, forcing the filmmaker to abandon the entire project. [Image 38]
Feeling lost, the filmmaker traveled to Taiwan, where he began filming random people he met, including a bar owner, a calligrapher, and various other individuals sharing their life stories and philosophies. [Image 0, Image 44, Image 51]
He then journeyed to Mongolia, where he met a shepherd named Onol and immersed himself in the nomadic lifestyle. [Image 133, Image 145]
This experience helped him realize that his identity as a filmmaker had blurred his vision, and he found new meaning in human connection, identifying himself as a friend, a listener, and a shepherd. [Image 147]
In October, after weeks of pre-production, Luke flew to Lagos, Nigeria, for his most ambitious film project yet. [00:39] [Image 8]
The urban landscape of Lagos is shown, bustling with activity and a mix of modern and traditional elements. [Image 10][Image 11]
He met someone with a tragic and powerful story, eager to share their life experience with the world. [00:54] [Image 176]
Luke understood this project would challenge him not just as a filmmaker, but as a human and friend. [01:05]
He committed to keeping the camera rolling despite moments of wanting to quit. [01:29]
The month-long shoot was characterized by chaos, addiction, and violence, requiring Luke to step into roles he felt unqualified for. [01:16] [Image 24]
He tried his best to be present, listen, and keep filming through the fear and heartbreaking moments. [01:26]
The subject consistently reiterated the message: "The world must see my pain." [01:58]
Project Abandonment and Emotional Aftermath [02:07]
After wrapping the film, Luke lost contact with the subject despite his attempts to reach out. [02:07] [Image 33]
Following months of editing, he completed the first cut of the film, showcasing the intensity and raw emotion captured in the footage. [02:15] [Image 36]
He considered the film to be an intense, raw, impactful, and beautiful project he had chased for years. [02:22] [Image 37]
Just as he was ready to send the first cut to the film's subject, he received an email threatening legal action if he ever published their name or image online or submitted it to any film festival. [02:32] [Image 38]
This happened before the subject even saw the film. [02:40]
Luke was left with no choice but to abandon the entire project, despite over half a year of painful and heavy work. [02:53] [Image 32]
Luke expresses his confusion and disappointment, questioning what went wrong and feeling upset about losing the "project of his lifetime." [02:43] [Image 41]
He grapples with guilt for being upset when it wasn't his story, but acknowledges his deep disappointment. [03:13] [Image 42]
He doesn't know how to move on but resolves to pick up his camera again. [03:30]
On March 8th, Luke met a woman who invited him to her home to show him her calligraphy, and they spent the entire day together. [04:05] [Image 51]
He continues to meet and interact with various people in Taiwan, focusing on their individual stories and experiences rather than a grand narrative. [05:09]
He captures portraits of individuals like Wei Ting, Murphy, and Fu Wei (a singer). [Image 58][Image 59][Image 60]
He encounters various characters including a bodybuilder, a street artist, and a saxophonist. [Image 62][Image 80][Image 81]
He explicitly states, "I'm not searching for a story arc or narrative for each person I talk to." [05:16] [Image 89]
He asks himself why he does what he does, questioning if it's just for the film. [05:31]
He collects diverse perspectives from the people he meets, capturing their thoughts on life, happiness, and personal struggles. [05:50] [Image 69][Image 105]
These interactions highlight themes of resilience, identity, and finding meaning in everyday life. [06:08] [Image 83]
Onol needs to travel ten hours east into the emptiest part of Mongolia to tend to his brother's herd of sheep, and Luke agrees to help. [08:08] [Image 132]
The journey takes them through breathtaking plains, where horses roam freely. [Image 135]
They set up a traditional yurt, immersing themselves in the nomadic lifestyle. [Image 148][Image 151]
During the journey, Luke realizes his identity as a filmmaker had blurred his vision. [08:38]
He declares, "I don't want to be a filmmaker anymore," and states his new focus: "Today, I am a shepherd in Mongolia." [08:55] [Image 140]
He embraces his role as a shepherd, tending to the sheep with his entire soul. [09:21] [Image 142]
Luke finds deep satisfaction in talking with Onol, hearing his stories, and gaining insight into his world. [09:28] [Image 137]
The experience of shepherding and connecting with people helps him overcome his past disappointment, seeing it from a new perspective. [08:45] [Image 145]
He reflects on Onol's simple philosophy that kindness and connection make him happy. [10:48]
Luke embraces new identities as a friend, a listener, and a shepherd. [10:07] [Image 146][Image 147]